Greatest Ragtime Of The Century(中古品)
3,280円(税込)
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商品説明
(中古品)
Greatest Ragtime Of The Century
【ブランド名】
Joplin, Scott: artist;
【商品説明】
Amazonレビュー Piano rolls--perforated paper rolls that recorded a pianist's performance for playback on a mechanical "player piano"--represent one of the more fascinating windows on the music of the early 20th century. Though player pianos included considerable mechanical noise, they represented the closest thing you could get to "live" sound even into the late 1920s, and they often functioned as acoustic jukeboxes. This CD provides piano rolls from early American music's important pianists, demonstrating the gradual shift in style that took place between ragtime and jazz. Part of the fascination of these rolls is that they represent the way musicians like Jelly Roll Morton and Fats Waller were often heard in their own era. The tracks by Scott Joplin include his most famous work, "Maple Leaf Rag," and in their subtle shifts and overall architecture, they demonstrate Joplin's affinity with European classical forms. Eubie Blake's ragtime pieces are more animated, including by far the earliest roll here, "Charleston Rag," recorded in 1899, when Blake was just 16. There's even more startling contrast between Joplin's careful formalism and the virtuosic exuberance of James P. Johnson, heard here in a joyous performance of "Steeplechase Rag" and a "Twilight Rag" that makes striking use of dissonance. Waller, Johnson's greatest pupil, plays with such larger-than-life vitality and rhythmic ease that his rolls of "New Kind of Man," "Nobody But My Baby," and "Got to Cool My Doggies Now" seem to cross the line into direct recordings of his performances. Alone among these artists, New Orleans jazz pioneer Morton exploits the extended playing time of the piano roll to press his "Shreveport Stomp" toward the five-minute mark. The final tracks come from Jimmy Blythe, a brilliant if obscure Chicago pianist who worked in both blues and jazz. "Mr. Freddie Blues" is pure, heartfelt blues playing, with little suggestion of ragtime, while "Regal Stomp," a duet by Blythe and Charles Clark, is an inspired demonstration of how much data a piano roll could manage. --Stuart Broomer
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1.ご注文
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2.注文確認 ご注文後、注文確認メールを送信します
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出荷後、1〜3日後に商品が到着します。
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Greatest Ragtime Of The Century
【ブランド名】
Joplin, Scott: artist;
【商品説明】
Amazonレビュー Piano rolls--perforated paper rolls that recorded a pianist's performance for playback on a mechanical "player piano"--represent one of the more fascinating windows on the music of the early 20th century. Though player pianos included considerable mechanical noise, they represented the closest thing you could get to "live" sound even into the late 1920s, and they often functioned as acoustic jukeboxes. This CD provides piano rolls from early American music's important pianists, demonstrating the gradual shift in style that took place between ragtime and jazz. Part of the fascination of these rolls is that they represent the way musicians like Jelly Roll Morton and Fats Waller were often heard in their own era. The tracks by Scott Joplin include his most famous work, "Maple Leaf Rag," and in their subtle shifts and overall architecture, they demonstrate Joplin's affinity with European classical forms. Eubie Blake's ragtime pieces are more animated, including by far the earliest roll here, "Charleston Rag," recorded in 1899, when Blake was just 16. There's even more startling contrast between Joplin's careful formalism and the virtuosic exuberance of James P. Johnson, heard here in a joyous performance of "Steeplechase Rag" and a "Twilight Rag" that makes striking use of dissonance. Waller, Johnson's greatest pupil, plays with such larger-than-life vitality and rhythmic ease that his rolls of "New Kind of Man," "Nobody But My Baby," and "Got to Cool My Doggies Now" seem to cross the line into direct recordings of his performances. Alone among these artists, New Orleans jazz pioneer Morton exploits the extended playing time of the piano roll to press his "Shreveport Stomp" toward the five-minute mark. The final tracks come from Jimmy Blythe, a brilliant if obscure Chicago pianist who worked in both blues and jazz. "Mr. Freddie Blues" is pure, heartfelt blues playing, with little suggestion of ragtime, while "Regal Stomp," a duet by Blythe and Charles Clark, is an inspired demonstration of how much data a piano roll could manage. --Stuart Broomer
当店では初期不良に限り、商品到着から7日間は返品をお受けいたします。
イメージと違う、必要でなくなった等、お客様都合のキャンセル・返品は一切お受けしておりません。
中古品の場合、基本的に説明書・外箱・ドライバーインストール用のCD-ROMはついておりません。
商品名に「限定」「保証」等の記載がある場合でも特典や保証・ダウンロードコードは付いておりません。
写真は代表画像であり実際にお届けする商品の状態とは異なる場合があります。
中古品の場合は中古の特性上キズ、汚れがある場合があります。
他モールでも併売しておりますので、万が一お品切れの場合はご連絡致します。
ご注文からお届けまで
1.ご注文
ご注文は24時間受け付けております
2.注文確認 ご注文後、注文確認メールを送信します
3.在庫確認
在庫切れの場合はご連絡させて頂きます。
※中古品は受注後に、再メンテナンス、梱包しますのでお届けまで3〜7営業日程度とお考え下さい。
4.入金確認
前払い決済をご選択の場合、ご入金確認後、配送手配を致します。
5.出荷
配送準備が整い次第、出荷致します。配送業者、追跡番号等の詳細をメール送信致します。
6.到着
出荷後、1〜3日後に商品が到着します。
※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。
(中古品)Greatest Ragtime Of The Century//Joplin, Scott: artist; /Amazonレビュー
Piano rolls--perforated paper rolls that recorded a pianist's performance for playback on a mechanical "player piano"--represent one of the more fascinating windows on the music of the early 20th century. Though player pianos included considerable mechanical noise, they represented the closest thing you could get to "live" sound even into the late 1920s, and they often functioned as acoustic jukeboxes. This CD provides piano rolls from early American music's important pianists, demonstrating the gradual shift in style that took place between ragtime and jazz. Part of the fascination of these rolls is that they represent the way musicians like Jelly Roll Morton and Fats Waller were often heard in their own era.
The tracks by Scott Joplin include his most famous work, "Maple Leaf Rag," and in their subtle shifts and overall architecture, they demonstrate Joplin's affinity with European classical fo
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