Alan Bennett Collection [DVD](中古品)
19,685円(税込)
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(中古品)
Alan Bennett Collection [DVD]
【ブランド名】
【商品説明】
Amazonより Though hardly a household name in the United States (his scripts for The Madness of King George, which earned him an Oscar nomination in 1995, and 2006's The History Boys are probably his best-known works in America), playwright-screenwriter Alan Bennett has had a long and distinguished career in his native England. The reasons for that are evident throughout the Alan Bennett Collection, a four-disc set containing 11 works (including one documentary) produced between the early 1970s and mid-'90s and ranging in length from about 40 to 75 minutes. Bennett is an erudite, articulate writer. His work contains few jokes, but is often satirical and very witty; there's not much action (indeed, there's so little happening in some of these pieces that Masterpiece Theatre seems positively rousing in comparison), as he establishes his characters with crackling dialogue and situation, helped along by outstanding performances by Alan Bates, James Fox, Daniel Day-Lewis, Coral Browne, Harry Markham, Patricia Routledge, and others, along with fine directors like Stephen Frears and John Schlesinger. Given Bennett's background in the theater, some of the films are a bit stagy, and the production values vary considerably. But while fans of, say, Jersey Shore may not be interested, those in search of genuine depth, not to mention Anglophiles who revel in quintessentially British entertainment, will find much to admire. Among the more renowned works is 1983's An Englishman Abroad, based on actor Browne's account of her meeting in Moscow with the notorious Guy Burgess (Bates), who defected to the USSR after being caught spying for the Russians in the '50s. Bennett, who supplies new introductions for each film, aptly describes this meeting between "the elegant actress [Browne plays herself] and the seedy exile" as both funny and sad; Burgess comes off as a drunken, fairly pathetic character, a self-described "tremendous villain" who knows he can never go home again. Another of the so-called "Cambridge spies," Sir Anthony Blunt (Fox), who was the "keeper of the Queen's pictures" and also confessed to spying for the Soviets, is the subject of A Question of Attribution, while The Insurance Man stars Day-Lewis as Franz Kafka in a surreal fantasy about a nightmarish bureaucracy that can only be described as Kafkaesque. These portraits are brilliant, but so are the ones about more ordinary folks, like Sunset Across the Bay, a meditation on aging in which a couple moves from Leeds (Bennett's hometown) to the seashore, only to find that retirement isn't quite what they'd hoped for, and A Woman of No Importance, a 48-minute monologue with Routledge as the title character (the very idea of this piece--one woman talking for nearly an hour, mostly about trivial matters--sounds impossibly boring, but in fact it's remarkably poignant). Bonus features include an extended interview with Bennett. --Sam Graham
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1.ご注文
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2.注文確認 ご注文後、注文確認メールを送信します
3.在庫確認
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※中古品は受注後に、再メンテナンス、梱包しますのでお届けまで3〜7営業日程度とお考え下さい。
4.入金確認
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5.出荷
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6.到着
出荷後、1〜3日後に商品が到着します。
※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。
Alan Bennett Collection [DVD]
【ブランド名】
【商品説明】
Amazonより Though hardly a household name in the United States (his scripts for The Madness of King George, which earned him an Oscar nomination in 1995, and 2006's The History Boys are probably his best-known works in America), playwright-screenwriter Alan Bennett has had a long and distinguished career in his native England. The reasons for that are evident throughout the Alan Bennett Collection, a four-disc set containing 11 works (including one documentary) produced between the early 1970s and mid-'90s and ranging in length from about 40 to 75 minutes. Bennett is an erudite, articulate writer. His work contains few jokes, but is often satirical and very witty; there's not much action (indeed, there's so little happening in some of these pieces that Masterpiece Theatre seems positively rousing in comparison), as he establishes his characters with crackling dialogue and situation, helped along by outstanding performances by Alan Bates, James Fox, Daniel Day-Lewis, Coral Browne, Harry Markham, Patricia Routledge, and others, along with fine directors like Stephen Frears and John Schlesinger. Given Bennett's background in the theater, some of the films are a bit stagy, and the production values vary considerably. But while fans of, say, Jersey Shore may not be interested, those in search of genuine depth, not to mention Anglophiles who revel in quintessentially British entertainment, will find much to admire. Among the more renowned works is 1983's An Englishman Abroad, based on actor Browne's account of her meeting in Moscow with the notorious Guy Burgess (Bates), who defected to the USSR after being caught spying for the Russians in the '50s. Bennett, who supplies new introductions for each film, aptly describes this meeting between "the elegant actress [Browne plays herself] and the seedy exile" as both funny and sad; Burgess comes off as a drunken, fairly pathetic character, a self-described "tremendous villain" who knows he can never go home again. Another of the so-called "Cambridge spies," Sir Anthony Blunt (Fox), who was the "keeper of the Queen's pictures" and also confessed to spying for the Soviets, is the subject of A Question of Attribution, while The Insurance Man stars Day-Lewis as Franz Kafka in a surreal fantasy about a nightmarish bureaucracy that can only be described as Kafkaesque. These portraits are brilliant, but so are the ones about more ordinary folks, like Sunset Across the Bay, a meditation on aging in which a couple moves from Leeds (Bennett's hometown) to the seashore, only to find that retirement isn't quite what they'd hoped for, and A Woman of No Importance, a 48-minute monologue with Routledge as the title character (the very idea of this piece--one woman talking for nearly an hour, mostly about trivial matters--sounds impossibly boring, but in fact it's remarkably poignant). Bonus features include an extended interview with Bennett. --Sam Graham
当店では初期不良に限り、商品到着から7日間は返品をお受けいたします。
イメージと違う、必要でなくなった等、お客様都合のキャンセル・返品は一切お受けしておりません。
中古品の場合、基本的に説明書・外箱・ドライバーインストール用のCD-ROMはついておりません。
商品名に「限定」「保証」等の記載がある場合でも特典や保証・ダウンロードコードは付いておりません。
写真は代表画像であり実際にお届けする商品の状態とは異なる場合があります。
中古品の場合は中古の特性上キズ、汚れがある場合があります。
他モールでも併売しておりますので、万が一お品切れの場合はご連絡致します。
ご注文からお届けまで
1.ご注文
ご注文は24時間受け付けております
2.注文確認 ご注文後、注文確認メールを送信します
3.在庫確認
在庫切れの場合はご連絡させて頂きます。
※中古品は受注後に、再メンテナンス、梱包しますのでお届けまで3〜7営業日程度とお考え下さい。
4.入金確認
前払い決済をご選択の場合、ご入金確認後、配送手配を致します。
5.出荷
配送準備が整い次第、出荷致します。配送業者、追跡番号等の詳細をメール送信致します。
6.到着
出荷後、1〜3日後に商品が到着します。
※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。
(中古品)Alan Bennett Collection [DVD]///Amazonより
Though hardly a household name in the United States (his scripts for The Madness of King George, which earned him an Oscar nomination in 1995, and 2006's The History Boys are probably his best-known works in America), playwright-screenwriter Alan Bennett has had a long and distinguished career in his native England. The reasons for that are evident throughout the Alan Bennett Collection, a four-disc set containing 11 works (including one documentary) produced between the early 1970s and mid-'90s and ranging in length from about 40 to 75 minutes. Bennett is an erudite, articulate writer. His work contains few jokes, but is often satirical and very witty; there's not much action (indeed, there's so little happening in some of these pieces that Masterpiece Theatre seems positively rousing in comparison), as he establishes his characters with crackling dialogue and situation, helped along by outstanding performances by Alan Bate
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