Jazz Icons [DVD](中古品)
13,036円(税込)
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商品説明
(中古品)
Jazz Icons [DVD]
【ブランド名】
Ella Fitzgerald & Band: Artist
【商品説明】
Amazonより The First Lady of Song is in top form throughout Ella Fitzgerald - Live in '57 and '63, an entry in the excellent Jazz Icons series. Will Friedwald's detailed liner notes describe the summer of 1957 as a "traumatic" time for the singer (including an onstage attack by a mental patient and a brief, unhappy marriage), but you'd never know it from the gig in Brussels, Belgium that leads off this collection. Filmed in black & white (both picture and audio are terrific, as is usually the case with this series), the set begins not with a bravura swinger but with a languid, deeply expressive "Angel Eyes." Fitzgerald's legendary chops are on display from jump; her control of pitch and vibrato and impeccable articulation are amazing, yet for all her scatting and acrobatic vocal abilities, her performance is never the least bit meretricious. And so it goes, through the finger-snapping "Lullaby of Birdland" and the effortlessly cool "Love for Sale" to the Basie-esque "April in Paris," the tres bluesy "Roll 'Em Pete" (Ella's only known performance of pianist Pete Johnson's 12-bar standard), the relaxed "I Can't Give You Anything but Love" (wherein she does affectionate, spot-on imitations of Louis Armstrong and obscure '40s singer Rose Murphy), and Duke Ellington's "It Don't Mean a Thing," the rousing show closer (featuring trumpeter Roy Eldridge and the great pianist Oscar Peterson, who sit in with guitarist Herb Ellis, drummer Jo Jones, and bassist Ray Brown, Ella's regular accompanists). The second set, again in black & white but this time on videotape, finds Ella and an entirely different band (led by pianist Tommy Flanagan) in a Stockholm TV studio. This one is perhaps a little jazzier than the first; the tempos are faster and the singing a bit throatier, and along with familiar fare like "Mack the Knife," there are three tunes ("Runnin' Wild," "No Moon at All," and Ray Charles' "Hallelujah, I Love [Him] So") that were recorded live only on this one occasion. All in all, another winner from one of the best live jazz series ever produced. --Sam Graham
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Jazz Icons [DVD]
【ブランド名】
Ella Fitzgerald & Band: Artist
【商品説明】
Amazonより The First Lady of Song is in top form throughout Ella Fitzgerald - Live in '57 and '63, an entry in the excellent Jazz Icons series. Will Friedwald's detailed liner notes describe the summer of 1957 as a "traumatic" time for the singer (including an onstage attack by a mental patient and a brief, unhappy marriage), but you'd never know it from the gig in Brussels, Belgium that leads off this collection. Filmed in black & white (both picture and audio are terrific, as is usually the case with this series), the set begins not with a bravura swinger but with a languid, deeply expressive "Angel Eyes." Fitzgerald's legendary chops are on display from jump; her control of pitch and vibrato and impeccable articulation are amazing, yet for all her scatting and acrobatic vocal abilities, her performance is never the least bit meretricious. And so it goes, through the finger-snapping "Lullaby of Birdland" and the effortlessly cool "Love for Sale" to the Basie-esque "April in Paris," the tres bluesy "Roll 'Em Pete" (Ella's only known performance of pianist Pete Johnson's 12-bar standard), the relaxed "I Can't Give You Anything but Love" (wherein she does affectionate, spot-on imitations of Louis Armstrong and obscure '40s singer Rose Murphy), and Duke Ellington's "It Don't Mean a Thing," the rousing show closer (featuring trumpeter Roy Eldridge and the great pianist Oscar Peterson, who sit in with guitarist Herb Ellis, drummer Jo Jones, and bassist Ray Brown, Ella's regular accompanists). The second set, again in black & white but this time on videotape, finds Ella and an entirely different band (led by pianist Tommy Flanagan) in a Stockholm TV studio. This one is perhaps a little jazzier than the first; the tempos are faster and the singing a bit throatier, and along with familiar fare like "Mack the Knife," there are three tunes ("Runnin' Wild," "No Moon at All," and Ray Charles' "Hallelujah, I Love [Him] So") that were recorded live only on this one occasion. All in all, another winner from one of the best live jazz series ever produced. --Sam Graham
当店では初期不良に限り、商品到着から7日間は返品をお受けいたします。
イメージと違う、必要でなくなった等、お客様都合のキャンセル・返品は一切お受けしておりません。
中古品の場合、基本的に説明書・外箱・ドライバーインストール用のCD-ROMはついておりません。
商品名に「限定」「保証」等の記載がある場合でも特典や保証・ダウンロードコードは付いておりません。
写真は代表画像であり実際にお届けする商品の状態とは異なる場合があります。
中古品の場合は中古の特性上キズ、汚れがある場合があります。
他モールでも併売しておりますので、万が一お品切れの場合はご連絡致します。
ご注文からお届けまで
1.ご注文
ご注文は24時間受け付けております
2.注文確認 ご注文後、注文確認メールを送信します
3.在庫確認
在庫切れの場合はご連絡させて頂きます。
※中古品は受注後に、再メンテナンス、梱包しますのでお届けまで3〜7営業日程度とお考え下さい。
4.入金確認
前払い決済をご選択の場合、ご入金確認後、配送手配を致します。
5.出荷
配送準備が整い次第、出荷致します。配送業者、追跡番号等の詳細をメール送信致します。
6.到着
出荷後、1〜3日後に商品が到着します。
※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。
(中古品)Jazz Icons [DVD]//Ella Fitzgerald & Band: Artist/Amazonより
The First Lady of Song is in top form throughout Ella Fitzgerald - Live in '57 and '63, an entry in the excellent Jazz Icons series. Will Friedwald's detailed liner notes describe the summer of 1957 as a "traumatic" time for the singer (including an onstage attack by a mental patient and a brief, unhappy marriage), but you'd never know it from the gig in Brussels, Belgium that leads off this collection. Filmed in black & white (both picture and audio are terrific, as is usually the case with this series), the set begins not with a bravura swinger but with a languid, deeply expressive "Angel Eyes." Fitzgerald's legendary chops are on display from jump; her control of pitch and vibrato and impeccable articulation are amazing, yet for all her scatting and acrobatic vocal abilities, her performance is never the least bit meretricious. And so it goes, through the finger-snapping "Lullaby of Birdland" and the effo
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